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	<title>Edinburgh Books</title>
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		<title>Burns&#8217; Night on the Oder, 1945</title>
		<link>http://www.edinburghbooks.net/burns-night-on-the-oder-1945/</link>
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		<pubDate>Tue, 24 Jan 2012 17:40:46 +0000</pubDate>
		<dc:creator>william</dc:creator>
				<category><![CDATA[Blog post]]></category>
		<category><![CDATA[world war two eastern front escape robert burns]]></category>

		<guid isPermaLink="false">http://www.edinburghbooks.net/?p=376</guid>
		<description><![CDATA[<p>Once in a while we all need some escapism. Some reach for a Terry Pratchett, others pick up an Agatha Christie to get their minds off the cares of the day. My escapist reading is, well, it&#8217;s literally escapism. Ever&#8230;</p>]]></description>
			<content:encoded><![CDATA[<p>Once in a while we all need some escapism. Some reach for a Terry Pratchett, others pick up an Agatha Christie to get their minds off the cares of the day. My escapist reading is, well, it&#8217;s literally escapism. Ever since I was given a copy of Donald Caskie&#8217;s &#8216;The Tartan Pimpernel&#8217; when I was about 11 I&#8217;ve loved to read escape stories. Colditz(Pat Reid), Boldness be my Friend(Richard Pape), The Wooden Horse(Eric Williams), The Great Escape(Paul Brickhill), The Latter Days at Colditz(Pat Reid again) are some of the great Second World War escape titles. The Escape literature  of the Great War inspired many of the prisoners of WWII to pit their wits against their captors. Many escapers of the &#8216;39-&#8217;45 war had grown up reading such classics as The Tunnellers of Holzminden(Hugh Durnford), The Escaping Club(A.J. Evans), Outwitting the Hun(Pat O&#8217;Brien) and determined to make a &#8216;Home Run&#8217; themselves.</p>
<p>As I read more and more of these stories, I began to have a nagging doubt in the back of my mind. As I finished one title I started to think &#8216;What if I&#8217;ve read all of the escape books out there? What will I do if there are no more?&#8217;. Amazingly though these stories have kept appearing right through the late twentieth century, well over fifty years from the end of the war.</p>
<p>An elderly gentleman with what looked like crippling arthritis in his hands bought several Italian Language books one day 4 or 5 years ago. I asked him if he&#8217;d lived in Italy and he told me that he&#8217;d been captured in North Africa and had been a POW in Italy until he&#8217;d walked out of his Camp when Italy withdrew from hostilities in 1943. He had then gone on the run from the Germans(like Eric Newby in his classic &#8216;Love and War in the Apennines&#8217;) and survived in the mountains until the Allies fought their way up Italy and he was able to cross the lines. He told me that he had nearly finished his memoirs and they were due to be published before long.</p>
<p>So these books are still being published and I&#8217;m always delighted when another turns up in the shop.<br />
Just last month, in an auction lot, I came across one called &#8216;Open Road to Faraway – Escapes from Nazi POW Camps 1941-1945&#8242; by Andrew S. Winton (Cualann Press, Dunfermline, 2001).</p>
<p>From the Biographical Note – &#8216;Andrew Winton, from the small village of Woolfords near Lanark, was a student at the Edinburgh College of Art before enlisting with the RAF soon after the outbreak of the Second World War. Shot down over Germany on 30th September 1941, he spent the next four years attempting to escape back home to his beloved Scottish moors. Each escape was, however, short-lived. Following one escape of seventeen days, he experienced the horrors of Buchenwald Concentration Camp – the worst few days of his life. The final stage of the war was fraught with hazards in the chaos that followed the German retreat.</p>
<p>Andrew&#8217;s love of [Robert] Burns&#8217; poetry frequently sustained him in captivity.&#8217;<br />
On the run after his final escape which involved being buried alive in a shallow grave, Andrew and his escaping companion managed to cross the fluctuating battle lines and link up with the Russians.</p>
<p>Sometimes amazing things happen in war such as the Christmas Truce on the Western Front in 1914 and Andrew Winton tells of a remarkable evening he experienced on the banks of the River Oder in July 1945. The following is an extract from Chapter 21 of his book.</p>
<p><strong>Burns&#8217; Night on the Oder</strong></p>
<p>On and on we went, allowing nothing to hinder the drive to Berlin.  Two days later, the only large obstacle on our way was the River Oder which was partly frozen over in places, with many of the bridges mined.  The weather was atrocious; an inch of snow on side of our coats helped to keep us warm, but still it came, almost horizontally, driven by a very strong wind.  We reached the river and drove into a large State farm where six tanks took up places on the open side, facing outwards, ready to move.  We were inside a large courtyard with out-houses on each side for vehicles and storage for hay and straw.  We slipped into a corner in the section of straw and booked a bed.  Fired were being lit all round the open yard and clothes and coats were hung up on makeshift hangers to unfreeze and dry out.  A large boiler of very thick soup arrived and we were allowed to fill up dixies.  This was indeed very satisfying.  We settled back in the straw, a bit drowsy and then a voice, a girl&#8217;s voice was heard.<br />
&#8216;Where is the Scotsman?&#8217;<br />
I felt the hair on my neck rising, and wondered, &#8216;What next?&#8217;  I struggled to my feet, and there she stood, second-in-command of a Russian Women&#8217;s Tank Unit, a round muff hat on her head and looking very neat and official in a dark green uniform.  She addressed me directly.<br />
&#8216;Do you know what week this is?&#8217;<br />
Just a little bewildered, I shook my head.<br />
&#8216;This is Robert Burns&#8217; week, and tonight you will recite his poetry and sing his songs.  I will translate for all these people.&#8217;<br />
My mind flashed back to my primary school.  I was, for the first time, thankful for that &#8216;old Cooke&#8217;, the headmaster there, had driven me by fear of his tawse to learn and sing Burns&#8217; works.<br />
&#8216;I do not know,&#8217; I started to say, but was stopped by an imperious wave of a hand.<br />
&#8216;All my relations in Scotland can recite and sing our national Bard – where do you begin?&#8217;<br />
Between twenty and thirty had gathered round our fire, and were told, &#8216;Andrew from Scotland will entertain.&#8217;  I took a step forward, dropped on one knee, scraped around as if I was catching something, picked up a handful of hay and stood up smoothing it in my hand into a small ball and started.</p>
<p>&#8216;Wee, sleekit, courin&#8217; tim&#8217;rous beastie,<br />
O, whit a panic&#8217;s in thy breastie.&#8217;</p>
<p>I stopped, and the girl translated, and so I carried on, one line or two at a time.  I missed out a verse here and there, but I finished the last two:</p>
<p>&#8216;But mousie, thou are no&#8217; thy lane,<br />
In proving foresight may be vain,<br />
The best laid schemes o&#8217; mice and men<br />
Gang aft agley.&#8217;</p>
<p>The reception shook me.  There was clapping and smiling and nodding: a complete understanding, and so I gave t hem &#8216;To a Daisy&#8217;.  Next, the girl did some explaining before a cook came in with a large sausage..  I addressed the &#8216;haggis&#8217;, cut it into slices.  Many came up, took a slice and went back and sat down facing me – they obviously wished for more.  I walked round the front row, stopped beside a fair-haired girl, put out my hand and asked her to come forward.  She assented (without knowing what was wanted) and we walked back to my stance.  We turned round.  I nodded to my interpreter, and began:</p>
<p>&#8216;O, my luve is like a red, red rose,<br />
That&#8217;s newly sprung in June.&#8217;</p>
<p>Line for line I said it, and slowly walked her back to where she had sad and then, in a very quite voice I began to sing.</p>
<p>&#8216;And fare thee weel, my only luve,<br />
And fare thee weel, a while!<br />
And I will come again, my luve,<br />
Tho&#8217; it were ten thousand mile.&#8217;</p>
<p>Well, the applause was terrific.  If this is what they want, I&#8217;ll be here all night, I thought.  I&#8217;d better give them something else, and so I began again with the translation continuing until the last verse.</p>
<p>Is there for honest poverty<br />
&#8216;For a&#8217; that, an a&#8217; that,<br />
That man to man the world o&#8217;er,<br />
Shall brithers be for a&#8217; that.&#8217;</p>
<p>Everybody stood up, shaking hands.  Given a signal, they all sat down.<br />
&#8216;I will sing a song of Robert Burns,&#8217; announced the second-in-command whose relatives had lived on the banks of Loch Ness, and who until this point had been translating the poems.<br />
A trained voice sang out &#8216;Ye banks and braes o&#8217; bonnie Doon&#8217; in a language they all understood.  On the second verse I joined in quietly, &#8216;la, la, la&#8217; to the end, then she added, &#8216;We will sing it as Burns wrote it.&#8217;</p>
<p>&#8216;Ye banks and braes. . .&#8217;</p>
<p>I sang the words in a low contralto, as I had heard it sung in the Hall at home.  On the second verse, she took my hand and we wandered dreamily across the front.  I smelled the briar and heard the birds singing.  She pulled a rose and I pretended to put it into her hair and we finished the song in unison.  There was a second or two of complete silence before everyone jumped up, clapping and chattering, touching each other, moving around us and trying to shake our hands.  The numbers had doubled and they were all milling around and laughing with pleasure.  I was completely shattered.  Here was I, shut in which a group of people who had travelled hundreds of miles in tanks fitted with guns, with the sole intention of wreaking vengeance on a country that had dared to destroy them; and a freezing wind blowing snow from the Baltic ocean bringing everything to a standstill and kindly covering the dead and dying women and children lying in groups along the roadsides.  And a sad little song with a Scottish air and words by Robert Burns, written two hundred years before, had changed the world around us!<br />
I was uplifted and a bit dazed, and yes, I was proud – a sort of humble pride, pleased and delighted – and then two hands on my shoulders turned me round and my hands were taken in hers and an emotional voice spoke, &#8216;Tonight I am your Jean: tonight you are my Robert.&#8217;</p>
<p>Andrew Winton died just a few years after his book was published. Thanks are due to Cualann Press and Mr. Winton&#8217;s family for permission to publish this extract.</p>
<p>Clarence.</p>
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		<title>A couple of Poems</title>
		<link>http://www.edinburghbooks.net/a-couple-of-poems/</link>
		<comments>http://www.edinburghbooks.net/a-couple-of-poems/#comments</comments>
		<pubDate>Fri, 20 Jan 2012 11:31:53 +0000</pubDate>
		<dc:creator>william</dc:creator>
				<category><![CDATA[Blog post]]></category>

		<guid isPermaLink="false">http://www.edinburghbooks.net/?p=351</guid>
		<description><![CDATA[<p>Apologies for the lack of recent blogging activity. I have been out to pasture for over a year but I’m fed up with grazing(pun intended) and intend to blog much more frequently…at least one entry every six months.<br />
I was just&#8230;</p>]]></description>
			<content:encoded><![CDATA[<p>Apologies for the lack of recent blogging activity. I have been out to pasture for over a year but I’m fed up with grazing(pun intended) and intend to blog much more frequently…at least one entry every six months.<br />
I was just pricing a wee book of poems by the late Neil R. MacCallum, Scottish nationalist and poet, and I thought I’d share a couple with you. The first  is in English and the second in MacCallum’s beloved Lowland Scots.</p>
<p><strong>Bookshop</strong></p>
<p>I attempt<br />
to avert my eyes,<br />
gazing I hope<br />
in another compelling direction,<br />
Or accelerating<br />
with quickening pace<br />
to purposefully stride<br />
so briskly past.<br />
Proceeding as if<br />
some pressing appointment<br />
were commanding<br />
immediate attention.<br />
A useless armour<br />
that excuse<br />
will prove to be<br />
against those arrows,<br />
For she is there<br />
a temptress in full splendour<br />
her windows<br />
winking knowingly.</p>
<hr />
<p><strong>Nearhaund the Son o God</strong></p>
<p><em>(Frae the Gaelic o Donnchadh MacRaoiridh, bard tae MacDonald o Sleat, sum tyme round about saxteen-ten)</em></p>
<p>Tak me wi Ye the Son o God<br />
Tae be richt at Your side<br />
And tae follow efter Ye,<br />
Ma hert and luve sall byde.<br />
For tae incaw* that throu-out tyme<br />
Forenenst** Ye I sall be,<br />
Nae mair tae brak Your Halie Law<br />
Our sins Ye maun foregie.<br />
Anither handsel† we wauld speir‡<br />
The pouer tae grant Ye hae<br />
That sauf our saul sad gang wi Ye<br />
When corp is smoored i clay.<br />
May saul until thon heich throne win<br />
Tae tryst wi thaim that did it mak,<br />
Sin Ye dae ken hou weil I staund<br />
Lord tak me nou, o Lord please tak.</p>
<p>* pray<br />
** facing<br />
† gift<br />
‡ ask</p>
<hr />
<p><em>Both of these poems can be found in ‘Portrait of a Calvinist’ by Neil R MacCallum. Published by ‘Scots Independent’, Stirling 1991.</em></p>
<p>- Clarence</p>
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		<title>Beware the Ulsterman my son&#8230;</title>
		<link>http://www.edinburghbooks.net/beware-the-ulsterman-my-son/</link>
		<comments>http://www.edinburghbooks.net/beware-the-ulsterman-my-son/#comments</comments>
		<pubDate>Thu, 08 Apr 2010 16:50:52 +0000</pubDate>
		<dc:creator>william</dc:creator>
				<category><![CDATA[Blog post]]></category>

		<guid isPermaLink="false">http://www.edinburghbooks.net/?p=333</guid>
		<description><![CDATA[<p>I bought a wee book at the auction today called <em>Malice in Kulturland</em> by Horace Wyatt, published by <em>The Car Illustrated</em> in 1915. It&#8217;s a satire on the political situation in Europe at the start of the Great War in the style&#8230;</p>]]></description>
			<content:encoded><![CDATA[<p>I bought a wee book at the auction today called <em>Malice in Kulturland</em> by Horace Wyatt, published by <em>The Car Illustrated</em> in 1915. It&#8217;s a satire on the political situation in Europe at the start of the Great War in the style of <em>Alice in Wonderland</em> complete with Tenniel-like illustrations by &#8216;W. Tell&#8217;.</p>
<p>By page 4, Alice has met the Dodo(Liberal Prime Minister Asquith) and the following conversation takes place -</p>
<p><span style="color: #993366;">&#8221; Might I ask what sort of a bird you are?&#8221; Alice inquired.</span></p>
<p><span style="color: #993366;">&#8220;You might, and on the other hand you might not,&#8221; said the Bird very slowly. &#8220;As a matter of fact, I am a Dodo. I used to call myself a Liberal, some other people used to call me a Radical, and plenty of others used to call me everything they could lay their tongues to.&#8221;</span></p>
<p><span style="color: #993366;">&#8220;But I thought the Dodo was extinct,&#8221; said Alice.</span></p>
<p><span style="color: #993366;">&#8220;So it is,&#8221; said the Bird, &#8220;for the present, quite extinct. And there&#8217;s another extinct party somewhere about the garden. He&#8217;s called a Lory or a Tory, I forget which, and at the present moment he&#8217;s over there doing spade work. He&#8217;s busy burying the hatchet. We&#8217;re <em>very</em> friendly you know?&#8221;</span></p>
<p><span style="color: #993366;">&#8220;Indeed!&#8221; said Alice politely, &#8220;I thought you were great enemies.&#8221;</span></p>
<p><span style="color: #993366;">&#8220;So we were, so we were,&#8221; said the Dodo. &#8220;But now everything is different; we have no time to quarrel.&#8221;</span></p>
<p><span style="color: #993366;">&#8220;Not even about Ireland?&#8221; asked Alice.</span></p>
<p><span style="color: #993366;">&#8220;Ireland &#8211; now let me see,&#8221; said the Dodo. &#8220;Ah, yes,&#8221; he added after a pause; &#8220;now you mention it, there was some slight bickering in that quarter. I don&#8217;t clearly remember what the trouble was; but, anyhow, it&#8217;s all right now.&#8221;</span></p>
<p><span style="color: #993366;">&#8220;How is that?&#8221; asked Alice.</span></p>
<p><span style="color: #993366;">&#8220;It&#8217;s because of the war,&#8221; the Dodo explained. &#8220;I will tell you all about it in the simplest possible language. Listen carefully, and don&#8217;t interrupt -</span></p>
<p><span style="color: #993366;"><em>&#8220;&#8216;Twas dertag,  and the slithy Huns<br />
Did sturm and sturgel through the sludge;<br />
All bulgous were the blunderguns,<br />
And the bosch bombs outbludge.</em></span></p>
<p><span style="color: #993366;"><em>&#8220;&#8216;Beware the Ulsterman, my son -</em><em><br />
The jaws that bite at kin and kith;<br />
Beware the Carsonclan, and shun<br />
The frumious Ridersmith.&#8217;</em></span></p>
<p><span style="color: #993366;"><em>&#8220;He put his vetal schemes in hand;</em><em><br />
Long time the welcome end he sought;<br />
So rested he by the Redmond Tree,<br />
And stood awhile in thought.</em></span></p>
<p><span style="color: #993366;"><em>&#8220;And as in uffish thought he stood,</em><em><br />
The Kaiserhog, with eyes of flame,<br />
Came prumpling through the tulgey wood,<br />
And blasphied as he came!</em></span></p>
<p><span style="color: #993366;"><em>&#8220;One, two! Quick, quick! In half a tick,</em><em><br />
The vetal schemes split far and wide.<br />
Orange and green were promptly seen<br />
Advancing side by side.</em></span></p>
<p><span style="color: #993366;"><em>&#8220;&#8216;And is the Kaiserhog at large?</em><em><br />
Then show him to your blarney boy!<br />
Oh, frabjous day! Hurroo! Hurray!<br />
They chortled in their joy.</em></span></p>
<p><span style="color: #993366;"><em>&#8220;&#8216;Twas dertag, and the slithy Huns</em><em><br />
Did sturm and sturgel through the sludge;<br />
All bulgous were the blunderguns,<br />
And the bosch bombs outbludge.&#8221;</em></span></p>
<p><span style="color: #993366;">&#8220;Thankyou very much,&#8221; said Alice; &#8220;it was kind of you to explain it to me. But it&#8217;s just a <em>little</em> difficult to understand, isn&#8217;t it?&#8221;</span></p>
<p><span style="color: #993366;">&#8220;Perhaps so,&#8221; said the Dodo.</span></p>
<p>The other bird was, of course, the Conservative leader Andrew Bonar Law.</p>
<p>A source no less than the head of British History at Edinburgh University tells me that &#8216;Ridersmith&#8217; referred to at the end of the second verse &#8230;</p>
<pre>"is F.E. Smith, later Lord Birkenhead, who (opportunistically) fell
in with his fellow lawyer, Edward Carson in 1912-14:  he was
nicknamed 'Galloper Smith' at this
time."</pre>
<p>This little extract amuses me for two reasons.</p>
<p>The first , obviously, is that I am a Veda eating water buffalo from <em>Ulster</em>.</p>
<p>The second is that, at school, <em>Jabberwocky</em>(upon which the above poem is based),  was one of my favourite poems. My friends and I used to time each other to see who could recite <em>Jabberwocky</em> in the shortest time. Guess who holds the record &#8211; a tongue-tying 17.1 seconds?</p>
<p>Yours in Wonderland,</p>
<p><em>Clarence</em>.</p>
<p><a class="alignleft" title="JAbberwocky" href="http://www.jabberwocky.com/carroll/jabber/jabberwocky.html" target="_blank"><em>Jabberwocky</em></a></p>
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		<title>In the beginning&#8230;</title>
		<link>http://www.edinburghbooks.net/in-the-beginning/</link>
		<comments>http://www.edinburghbooks.net/in-the-beginning/#comments</comments>
		<pubDate>Mon, 18 Jan 2010 13:09:54 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Blog post]]></category>

		<guid isPermaLink="false">http://www.edinburghbooks.net/?p=295</guid>
		<description><![CDATA[<p>It has gone out of fashion in these post-modern times, but stories used to begin with a beginning, progress to a middle and conclude with an ending. Open-minded as I am, I have never minded a slight twist in the&#8230;</p>]]></description>
			<content:encoded><![CDATA[<p>It has gone out of fashion in these post-modern times, but stories used to begin with a beginning, progress to a middle and conclude with an ending. Open-minded as I am, I have never minded a slight twist in the last chapter, but there my liberalism ends.</p>
<p>So, my story will begin with the iconic words &#8216;on a dark and fateful morning in the Savanna.&#8217; I think that &#8216;once upon a time&#8217; is a beginning appropriate for nitwits and girls with a deplorable princess fantasy. &#8216;As I walked out one Midsummer morning,&#8217; is just about acceptable although promises a bucolic idyll which makes me want to sneeze.</p>
<p>So, I begin darkly as the sun is engorging the horizon and I find myself staring into the red face of a maniac with a gun. I stop to think, &#8216;he looks like a walrus with that moustache.&#8217; That is my fatal mistake.</p>
<p>Clarence</p>
<p>[to be continued]</p>
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		<title>Book Inscriptions # 1</title>
		<link>http://www.edinburghbooks.net/book-inscriptions-1/</link>
		<comments>http://www.edinburghbooks.net/book-inscriptions-1/#comments</comments>
		<pubDate>Mon, 28 Dec 2009 15:05:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Blog post]]></category>

		<guid isPermaLink="false">http://www.edinburghbooks.net/book-inscriptions-1/</guid>
		<description><![CDATA[<p>You find all sorts of inscriptions in books, usually on the front endpaper, from the plain name and address to pledges of undying love. I came across one today at the front of a copy of &#8216;Grammont&#8217;s memoirs of the&#8230;</p>]]></description>
			<content:encoded><![CDATA[<p>You find all sorts of inscriptions in books, usually on the front endpaper, from the plain name and address to pledges of undying love. I came across one today at the front of a copy of &#8216;Grammont&#8217;s memoirs of the Court of Charles the Second&#8217; by Anthony Hamilton.<br />The inscription to the front pastedown reads thus -</p>
<p><span style="font-style: italic;">&#8220;To Claude S. Jackson. Coldstream Guards</span></p>
<p><span style="font-style: italic;">From Archer Windsor-Clive</span><br /><span style="font-style: italic;">    3rd Bn. Coldstream Guards</span><br /><span style="font-style: italic;">           Windsor 1913</span></p>
<p><span style="font-style: italic;">Killed in action with the 3rd Bn. at LANDRECIES.</span><br /><span style="font-style: italic;">        August 25th 1914.</span>&#8220;</p>
<p>The internet being the marvellous tool that it is, confirms some of these details and throws up more information.<br /><span class="nt">Lt. Hon.</span> <span class="ng">Archer</span> <span class="ns">Windsor-Clive</span> was born on 6 November 1890. He was the son of Robert George Windsor-Clive, 1st Earl of Plymouth. He attended Eton and played first class cricket for Cambridge University. The excellent Commonwealth War Graves Commission website gives more details of his death &#8211; <a href="http://www.cwgc.org/search/casualty_details.aspx?casualty=581548">http://www.cwgc.org/search/casualty_details.aspx?casualty=581548</a><br />Another site gives a quote from &#8216;Tommy Atkins at War&#8217; by James Alexander Kilpatrick -
<pre>A sergeant of the Coldstream Guards, in an account given tothe Evening News, speaks of the death of CaptainWindsor-Clive. "We were sorry to lose Captain Clive, who,"he says, "was a real gentleman and a soldier. He wasknocked over by the bursting of a shell, which maddened ourfellows I can tell you."...........Many British soldierssuffered from the treachery of the Germans in wearingEnglish and French uniforms, and their letters home arefull of indignation at the practises of the enemy. It wasin the fighting following such a ruse at Landrecies thatthe Honorable Archer Windsor-Clive, of the ColdstreamGuards, met his death.</pre>
<p>Tragically, another search on the CWGC site shows that the owner of the book and author of the inscription, Claude S.[Stewart] Jackson, was also killed in the Great War 3 years later in the mud of Flanders &#8211; <a href="http://www.cwgc.org/search/casualty_details.aspx?casualty=1633111">http://www.cwgc.org/search/casualty_details.aspx?casualty=1633111</a></p>
<p><span style="font-style: italic;">Clarence.</span></p>
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		<title>A Scotch Carol</title>
		<link>http://www.edinburghbooks.net/a-scotch-carol/</link>
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		<pubDate>Thu, 03 Dec 2009 17:37:00 +0000</pubDate>
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		<description><![CDATA[<p>You find all sorts of interesting things stuck inside books: letters, tickets, obituaries, even money.<br />Today I found a Carol &#8211; a Scotch (or Scots) Carol in fact which I will now commit to cyberspace. It was typed on a small&#8230;</p>]]></description>
			<content:encoded><![CDATA[<p>You find all sorts of interesting things stuck inside books: letters, tickets, obituaries, even money.<br />Today I found a Carol &#8211; a Scotch (or Scots) Carol in fact which I will now commit to cyberspace. It was typed on a small piece of paper and &#8220;From Popular Antiquities Pub. 1810&#8243; was scribbled in pencil underneath.</p>
<p>I come from Hevin to tell,<br />The best of Nowellis that ever befell:<br />To yow thir Tythinges trew I bring<br />And I will of them say and sing.</p>
<p>This Day to you is borne ane Childe,<br />Of Marie meike and Virgine mylde,<br />That blessit Barne bining and kynde<br />Sall yow rejoyce baith Heart and Mynd.</p>
<p>My Saull and Lyfe stand up and see<br />Quha lyes in ane Cribe of Tree,<br />Quhat Babe is that so gude and faire?<br />It is Christ, God&#8217;s Sonne and Aire.</p>
<p>O God that made all Creature,<br />How art thou becum so pure,<br />That on the Hay and Stray will lye,<br />Amang the Asses, Oxin, and Kye?</p>
<p>O my deir Hert, young Jesus sweit,<br />Prepare thy Creddill in my Spreit,<br />And I sall rocke thee in my Hert,<br />And never mair from thee depart.</p>
<p>But I sall praise thee ever moir<br />With sangs sweit unto thy Gloir,<br />The knees of my Hert sall I bow,<br />And sing that richt Balulalow*.</p>
<p>* Lullaby</p>
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		<title>Welcome</title>
		<link>http://www.edinburghbooks.net/welcome/</link>
		<comments>http://www.edinburghbooks.net/welcome/#comments</comments>
		<pubDate>Tue, 17 Nov 2009 10:25:32 +0000</pubDate>
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		<description><![CDATA[Edinburgh Books has been a landmark for book lovers for more than twenty years. Formerly known as West Port Books, it was saved by the skin of its teeth from becoming yet another café in 2006 by William Lytle.

This off-beat Edinburgh bookshop has a huge, wide ranging stock of second-hand and antiquarian books: just when you think you've scanned every shelf you find the stairs and realise there are four rooms in the basement. For the reader, there is a large stock of fiction and non-fiction; for the collector, a sizeable number of intriguing titles. 

<a href="/welcome">Read more...</a>]]></description>
			<content:encoded><![CDATA[<p>Edinburgh Books has been a landmark for book lovers for more than twenty years. Formerly known as West Port Books, it was saved by the skin of its teeth from becoming yet another café in 2006 by William Lytle.</p>
<p>This off-beat Edinburgh bookshop has a huge, wide ranging stock of second-hand and antiquarian books: just when you think you&#8217;ve scanned every shelf you find the stairs and realise there are four rooms in the basement. For the reader, there is a large stock of fiction and non-fiction; for the collector, a sizeable number of intriguing titles.</p>
<hr />
<img class="alignnone size-full wp-image-72" title="Clarence" src="/wp-content/uploads/eb_clarence2.jpg" alt="Clarence" width="637" height="300" /></p>
<hr />
The atmosphere in this second-hand Edinburgh bookshop tends towards the dog-eared and slighty foxed, but glimpses of rarity and respectability can be encountered if you look hard enough. Clarence the water buffalo keeps a beady eye on proceedings aided by Graham, the rather stuck-up grouse.</p>
<p>One basement room is rented by Alba Musick of Glasgow and is full of sheet music.</p>
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		<title>Move over skinny dog</title>
		<link>http://www.edinburghbooks.net/move-over-skinny-dog/</link>
		<comments>http://www.edinburghbooks.net/move-over-skinny-dog/#comments</comments>
		<pubDate>Wed, 10 Sep 2008 11:22:00 +0000</pubDate>
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				<category><![CDATA[Blog post]]></category>

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		<description><![CDATA[<p>Some customers are just funny. Funny peculiar I mean, not Funny ha-ha, though we have our fair share of those too.<br />One peculiar thing that these funny customers do is to go straight to a section where somebody else is already&#8230;</p>]]></description>
			<content:encoded><![CDATA[<p>Some customers are just funny. Funny peculiar I mean, not Funny ha-ha, though we have our fair share of those too.<br />One peculiar thing that these funny customers do is to go straight to a section where somebody else is already standing and do everything but peer between the first customer&#8217;s legs in order to see the books which the unfortunate man or woman was previously browsing peacefully.<br />Never mind that there are seven other rooms full of books in the shop for them to browse. Never mind that the first customer will probably move on in a couple of minutes, these odd little men(they&#8217;re usually male and usually short) just have to go and start breathing heavily behind the customer or even stick their head in front of them to see what lies beyond.<br />I suppose some of these characters do actually come in to see that specific section but I&#8217;m sure there are some who are just programmed to make a bee-line for the only other customer in the shop and make them feel uncomfortable until they move on.<br />It&#8217;s probably the same folk who, on the top deck of the bus when you are the only passenger, sit right behind you or even right beside you.<br />Clarence.</p>
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		<title>Dirty rotten thieves.</title>
		<link>http://www.edinburghbooks.net/dirty-rotten-thieves/</link>
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		<pubDate>Wed, 16 Apr 2008 16:01:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.edinburghbooks.net/dirty-rotten-thieves/</guid>
		<description><![CDATA[<p>I don&#8217;t think we have a huge problem with theft but then again, I just don&#8217;t know. There are eight fairly sizeable rooms in the shop with thousands of books in each of them and although I try,  it&#8217;s impossible&#8230;</p>]]></description>
			<content:encoded><![CDATA[<p>I don&#8217;t think we have a huge problem with theft but then again, I just don&#8217;t know. There are eight fairly sizeable rooms in the shop with thousands of books in each of them and although I try,  it&#8217;s impossible to keep an eye on every book we sell. Sometimes I go to look for a book which I think we have and and can&#8217;t find it. Well, maybe we sold it, maybe not. Maybe it was pinched &#8211; who knows. &#8220;Pinched&#8221; &#8211; that&#8217;s quite a nice, soft word. &#8220;Stolen&#8221; or &#8220;theived&#8221; is probably better because it&#8217;s a horrible feeling when you realise or think that someone has stolen something of yours. Maybe it was valuable, maybe not. Maybe you had spent time repairing it, pricing it, placing it on a shelf. It cost you money. And now it&#8217;s gone. The anger and rage starts to build up inside you but there&#8217;s not one thing you can do about it &#8211; at least not usually.<br />    Curiously enough, for an establishment which doesn&#8217;t suffer from too much theft(we hope), we have had two cases of theft discovered in the last 24 hours. One has <em>really</em> annoyed me and will almost definitely not been resolved, the other was annoying but was resolved within an hour with the safe return of the two books which had been stolen.<br />          The first case didn&#8217;t involve books. I went to put on a cd yesterday evening &#8211; I thought I&#8217;d listen to some Van Morrison &#8211; but I couldn&#8217;t find the cd I wanted (the fantastic &#8220;Philosopher&#8217;s Stone &#8211; Unreleased tapes&#8221; double cd). I hunted through the piles of cds on the shelf by the stairs beside the stereo and began to realise that it was gone. Actually the piles looked a bit smaller than usual. <em>Oh No! Where are my Dylan cds?</em> I did a quick stock take and from what I could see<em> </em>I had &#8220;lost&#8221; 10 cds &#8211; 4 Bob Dylan including 3 boxed sets, 2 Van Morrison, 1 Johnny Cash, 1 Gram Parsons, 1 by the Byrds and 1 Grateful Dead.  <em>Aaaagh! </em>Some of these were amongst my most treasured albums, 2 of them I&#8217;d only just bought a month before! I quickly rang all the shop workers in the slim hope that someone had borrowed them but as I had expected that was not the case. Well I suppose the cds were a bit vulnerable to theft but the thief must have had some neck to stand and pick through the piles to get the ones he wanted. And he <em>did</em> pick through the piles because the  missing cds were <em>not </em>a random sample. He hadn&#8217;t taken any folk music of which there was plenty, no jazz, no classical, none of the downloaded albums in home-made covers. This guy had good taste &#8211; he wasn&#8217;t some wee ned who had just grabbed a handful from the top of the pile. He had taken unusual cds &#8211; &#8220;The Complete Reprise Sessions&#8221; by Gram Parsons, &#8220;Workingman&#8217;s Dead, expanded and remastered&#8221; by the Grateful Dead, &#8220;Sweetheart of the Rodeo Legacy edition&#8221; by the Byrds &#8211; this guy(or girl) knew about music. He had similar tastes to me! This made me feel sick. I felt even more sick when I went on to Amazon last night and worked out that it would take about £140 to replace them all! Well today I&#8217;ve moved the rest of my especially favourite cds to a safer place, leaving the home-made and classical and a few others which I hope no-one will have the desire to steal. I&#8217;m going to leave my vinyl where it is too as I don&#8217;t suppose anyone will have the gall to stuff a few records up their jumper where hopefully they will be relatively easy to spot.<br />                 Case number 2 happened this afternoon and did involve a wee ned or rather a wee nedette. I should have seen it coming but I like to think the best of people so I assumed that this unlikely looking bookshopper was trying to improve their education and so I tried not to judge this particular &#8220;book&#8221; by its cover.  Anyway I was vaguely aware of her wandering round the shop and I was only vaguely aware of the sort of open bag she had on her arm. She eventually came up to me and asked if I bought books and showed me an oldish copy of <em>Alice in Wonderland</em> and a <em>Topper Annual 1981. </em>I offered her a couple of pounds for the <em>Alice </em>but she muttered something about having to talk to her dad and hurried out the door. Next thing I know of the matter was twenty minutes later when Jenny from the bookshop across the road rang up and asked if I&#8217;d had a young blonde girl in and had she bought a <em>Burns&#8217; Poems? </em>I had and she hadn&#8217;t I replied and it turned out that she had gone there and tried to sell some books including the <em>Alice</em>, the <em>Topper Annual</em>, the <em>Burns</em> and a <em>Tennyso</em>n, the <em>Burns</em> and <em>Tennyson</em> both having a price and code in my handwriting. On inspection of the appropriate shelves I found the tell-tale gaps where these two (not very valuable) books had formerly resided. For some reason the girl had left the books with Jenny while she again went to consult her dad who presumably knew more about these things than she did. So the books were returned to their rightful place and there the matter will presumably end.<br />          Needless to say I&#8217;d rather the cds had been returned and the 2 poetry books had never been seen again rather than the other way round but hey, that&#8217;s life and I&#8217;ve learned a lesson or two &#8211; er, <em>Look out for thieves</em> or something like that.<br />I&#8217;ll leave you with a couple of medieval curses on book thieves which I would happily have applied to modern day cd theives, no matter how good their taste in music.</p>
<p>He who steals this book<br />may he die the death<br />may he be frizzled in the pan&#8230;</p>
<p>Steal not this book, my worthy friend<br />For fear the gallows will be your end;<br />Up the ladder, and down the rope,<br />There you&#8217;ll hang until you choke;<br />Then I&#8217;ll come along and say -<br />&#8220;Where&#8217;s that book you stole away?&#8221;</p>
<p>For him that Stealeth a Book from this Library,<br />Let it change into a Serpent in his hand &amp; rend him.<br />Let him be struck with Palsy, &amp; all his Members blasted.<br />Let him languish in Pain crying aloud for Mercy,<br />Let there be no Surcease to his Agony till he sink to Dissolution.<br />Let Bookworms gnaw his Entrails in token of the Worm that dieth not,<br />When at last he goeth to his final Punishment,<br />Let the flames of hell consume him for ever &amp; aye.</p>
<p><em>Ouch!</em><br /><em></em><br /><em>Clarence.</em></p>
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		<title>Thank you for the music</title>
		<link>http://www.edinburghbooks.net/thank-you-for-the-music/</link>
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		<pubDate>Mon, 29 Oct 2007 14:34:00 +0000</pubDate>
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		<description><![CDATA[<p>One of the great things about working in a secondhand bookshop is being able to listen to the radio or the music of your choice whenever you like, which for me is most of the day. When I bought the&#8230;</p>]]></description>
			<content:encoded><![CDATA[<p>One of the great things about working in a secondhand bookshop is being able to listen to the radio or the music of your choice whenever you like, which for me is most of the day. When I bought the property, along with the shelves, a few chairs and a centimetre of dust, I inherited the previous owner&#8217;s stereo system consisting of a good Pioneer amp, tuner and tape deck, an average cd player and turntable and 4 cracking speakers. Upstairs are 2 Celestion Ditton 44s from the 60s I think. Downstairs are a couple of three and a half foot tall beasts with no visible make on them. These brutes could wake the dead when the volume is pumped up, without any distortion but unfortunately (or perhaps fortunately for the neighbours) there aren&#8217;t too many opportunities to put them through their paces. Occasionally, as I&#8217;m doing the tour of the shop just before closing to turn off all the lights and check that no customers are lurking in dark corners, I put on something appropriate(perhaps some electric Dylan or Credence Clearwater Revival) and crank the volume up. Good money has been offered for these speakers on several occasions but always politely declined.<br />Not all of my music is apporopriate for playing in a bookshop, no matter what the volume. Some of Tom Waits more experimental offerings might scare the customers while Stevie Ray Vaughan or Rory Gallagher would probably be a bit to loud and distracting. Some stuff is well suited to the atmosphere of a bookshop: maybe Nick Drake&#8217;s &#8220;happier&#8221; albums, Kate Rusby, The Be Good Tanyas or some classic jazz from Ella, Billie or Louis. Mind you even what you may think would be totally inoffensive will offend and annoy someone. One elderly lady customer in a charity shop I used to work in would put a finger in each ear when we played <em>Dougie MacLean </em>and would be heard to mutter &#8220;could someone not put that man out of his misery?&#8221;.<br />Anyway you can&#8217;t spend your whole life worrying about what other people think and after all it is <em>my </em>shop so I don&#8217;t mind playing a bit of Dylan, Van the Man, Johnny Cash or Merle Haggard even if they&#8217;re not everyone&#8217;s cup of tea.<br />Top of the playlist over the past few months have been: Sam Baker&#8217;s two albums, &#8216;Mercy&#8217; and &#8216;Pretty World&#8217;; Gurf Morlix&#8217;s &#8216;Diamonds to Dust&#8217;; Roddy Woomble&#8217;s &#8216;My Secret is my Silence&#8217; and Julie Fowlis&#8217;s gaelic offering &#8216;Cuilidh&#8217;. Nearly any time I put on Gurf Morlix or Sam Baker, someone would ask &#8220;Who&#8217;s that singing&#8221;. Another album which gets that reaction is &#8216;The House Carpenter&#8217;s Daughter&#8217; by Natalie Merchant.<br />One drawback to having all this music in the shop is that people are constantly wanting to buy one of the CDs or LPs despite the blindingly obvious &#8220;NOT FOR SALE&#8221; signs . Only today someone brought up Bob Dylan&#8217;s &#8216;Live 1975 &#8211; The Rolling Thunder Review&#8217; double cd and asked how much it was. As if. Also this morning a well known Scottish/Australian author whose name I&#8217;d better not divulge(though it begins with &#8216;F&#8217; and ends with &#8216;aber&#8217;) approached me with a strange request. &#8220;I know your vinyl isn&#8217;t for sale but is there any chance I could borrow your copy of Van Morrison &#8216;Hymns to the Silence&#8217; to copy as it isn&#8217;t available on cd any more?&#8221; He said he&#8217;d return it by this afternoon and I reckoned someone so well known should be easy enough to track down if he didn&#8217;t bring it back so I thought &#8220;why not?&#8221;. It&#8217;s half past four now and there&#8217;s no sign of him yet and it&#8217;s started to pour but I&#8217;m sure I&#8217;ll get the album back before long.<br />The tuner get&#8217;s its fair share of use too as I usually have radio 3 on in the morning. They play a good range of music and generally the presenters are incredibly enthusiastic and knowledgable without being patronising. Some of the music is on the &#8217;slightly challenging&#8217; side but generally it&#8217;s worth the effort. I&#8217;m not sure what it is about it but I don&#8217;t like Classic fm(in fact it&#8217;s banned in the shop). It could be the adverts, or the annoying presenters with their fake mid-atlantic accents, or the whole &#8220;relaxing/soothing/romantic&#8221; thang. I&#8217;m not sure, but it generally has me reaching for the bucket.<br />I used to be a devotee of the Tom Morton show on Radio Scotland every afternoon when I just had a wee radio sitting beside me but it doesn&#8217;t really work over the big speakers what with the chat, the competitions etc. Tom is very good and quite funny and has a great taste in and knowledge of music but I think the choice of music isn&#8217;t what it could be with a bit too much pop and &#8220;<em>classic rock</em>&#8220;<em>.</em> A bit too<em> Radio 2.</em> I love radio 4 as well &#8211; World at One, Afternoon Play, Brain of Britain, Feedback etc. but again not on the big system and unfortunately the little radio sitting by my desk has rubbish reception on FM. Once we get a decent computer with decent broadband, I&#8217;ll be able to listen to Radio 4 on it and I&#8217;ll also be able to take advantage of the great &#8220;Listen again&#8221; facility on the BBC to listen to all the great Radio 4 shows I&#8217;ve missed or Radio 2&#8217;s Bob Harris Country or Iain Anderson&#8217;s great night time show on Radio Scotland.</p>
<p>Of course there&#8217;s one thing that takes priority over Radio 3, Radio 4, Van the Man, Dylan, Billie Holliday or whatever and that&#8217;s Test Match Special. What a joy work is when I can sit and listen to the wit and wisdom of Aggers, Blowers or Vic, the dulcet tones of Sir Vivian Richards, Colin Croft, Barry Richards,Brian Waddell et al.</p>
<p>now playing&#8230;..Sufjan Stevens &#8220;<em>Come on feel the Illinoise</em>&#8220;</p>
<p>p.s 5.01pm &#8211; &#8216;Hymns to the Silence &#8216; has just been returned!</p>
<p>p.p.s. Check out &#8211; <a href="http://www.sambakermusic.com/">http://www.sambakermusic.com/</a></p>
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